If he could, he would have taken pictures of the Dalai Lama, Picasso and Kennedy. He believed that laughter had no value in portraiture. He loved the sense of mystery and loved to photograph in black and white. He appreciated color in the work of Mario Sorrenti and Paola Roversi, although he thought it didn't penetrate the skin as much as black and white. No wonder. After all, he grew up with all those American reporters....
