{"id":16546,"date":"2022-05-24T16:05:46","date_gmt":"2022-05-24T14:05:46","guid":{"rendered":"https:\/\/kwartalnikfotografia.pl\/?post_type=product&#038;p=16546"},"modified":"2026-04-15T08:51:44","modified_gmt":"2026-04-15T06:51:44","slug":"kf22-2007","status":"publish","type":"product","link":"https:\/\/kwartalnikfotografia.pl\/en\/product\/kf22-2007\/","title":{"rendered":"Kwartalnik Fotografia 22\/2007"},"content":{"rendered":"<p>We start with photography events in Plovdiv, Berlin, Bratislava, Tokyo, Niigata. Playing with the body, portraiture, family, reconstruction of paintings, calving, masks, disguises - all this and more in the photos of cover heroine Diana Ducruet. Photoderms, on the other hand, are tinted photographs showing close-ups of parts of Irena Nawrot's body. There is also a feminine overtone and persona in the project Lady boss\/ South of Russia by Elena Suhoveva and Viktor Hmiel, in which they show women in power. Joanna Zastr\u00f3\u017cna's Density also features a woman, but there is also a man, as opposite sexes. This series is neither dreamy horror, X-ray, nor art pornography. The next series shown in the pages of the quarterly, Roomsaints, in which Anna Fabricius photographed women in their homes, in the pose of the Virgin Mary, is also contradictory. In this series, the author asks herself about many sacred questions, such as what is the minimum that makes us immediately associate that it is the Virgin Mary. Then, with triptychs from archival photographs, Karolina Miller makes Farewell to the S. Magdalena Wr\u00f3blewska writes about one of the most important exhibitions of the New Documentarians, and Ireneusz Zje\u017cd\u017ca\u0142ka sees a dialogue between Polish photographers and Sudek. Albert Zawada's My Darling Something is a series of photographs of homeless people holding in their hands what they hold most precious. And as if in opposition to this series appear Decoy (lures) by Paul Adair, stylized still lifes, colorful, artificial objects, seemingly porcelain statuettes. And these are simply decoys, traps that draw the viewer into a game of visual ambiguity.<br \/>\nVladim\u00edr Birgus writes about the Photokina Visual Gallery and the 18th International Photoscene in Cologne. Justyna Grymuza on metaphysics and truth in the aesthetics of photography and Waldemar Sliwczynski on the light of Roland Barthes + English translations of selected texts, exhibition book<\/p>\n<p><em><strong>Artists of the issue<\/strong><\/em>: Diana Ducruet, Irena Nawrot, Elena Suhoveva and Viktora Hmiela, Joanna Zastr\u00f3\u017cna, Karolina Miller, Albert Zawada, Paul Adair<\/p>\n<p><em><strong>Authors of the texts<\/strong><\/em>: Krzysztof Jurecki, Gabriela Jarz\u0119bowska, Dmitry Pilikin, Gabriella Csosz\u00f3, Katharina Hausel, Magdalena Wr\u00f3blewska, Ireneusz Zje\u017cd\u017ca\u0142ka, Marta Miskowiec, Ireneusz Zje\u017cd\u017ca\u0142ka, Timothy Morrell, Anna Panek-Kusz, Vladim\u00edr Birgus, Dana Altman, Justyna Grymuza, Waldemar \u015aliwczy\u0144ski<\/p>","protected":false},"excerpt":{"rendered":"<p>Number of pages 114<br \/>\nIn the paper version, we used different types of paper<br \/>\nOn the cover: <em><strong>Diana Ducruet<\/strong><\/em>, Father and Daughter, <em>2003<\/em>\/Father and Daughter, <em>2003<\/em><\/p>","protected":false},"featured_media":16547,"template":"","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}"},"product_brand":[],"product_cat":[201],"product_tag":[202,442,204],"class_list":{"0":"post-16546","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-kwartalnik-fotografia","7":"product_tag-kf","8":"product_tag-kf22-2007","9":"product_tag-kwartalnik-fotografia","11":"first","12":"instock","13":"taxable","14":"shipping-taxable","15":"purchasable","16":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/product\/16546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/media\/16547"}],"wp:attachment":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/media?parent=16546"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/product_brand?post=16546"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/product_cat?post=16546"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/product_tag?post=16546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}