{"id":33294,"date":"2025-09-11T22:03:30","date_gmt":"2025-09-11T20:03:30","guid":{"rendered":"https:\/\/kwartalnikfotografia.pl\/?p=33294"},"modified":"2025-10-03T14:24:52","modified_gmt":"2025-10-03T12:24:52","slug":"fotofestiwal-2025","status":"publish","type":"post","link":"https:\/\/kwartalnikfotografia.pl\/en\/fotofestiwal-2025\/","title":{"rendered":"Fotofestiwal 2025 | 12-22.06.2025"},"content":{"rendered":"<p>Recruitment for <strong>Open Program<\/strong> next year's edition of Fotofestiwal - who knows, maybe it will be your photos we will see in Lodz in June 2026?<\/p>\n\n\n\n<p>\u27a1\ufe0f <a href=\"https:\/\/fotofestiwal.com\/2025\/nabor-do-programu-otwartego-2\">Recruitment details &gt;&gt;<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Did you end up here by scanning the QR code from our print edition?<\/strong><\/h3>\n\n\n\n<p>This is the right place.<br>In the presented issue we have shown a carefully selected set of photos from the 24th Fotofestival in Lodz. Here you will find <strong>expanded selection of photographs<\/strong>, including both official press materials provided by the festival organizers and <strong>original documentation<\/strong>, which we prepared during the event.<\/p>\n\n\n\n<p>We wanted to present in print images outside the festival's mainstream communications - unpublished widely, not obvious. Here, meanwhile, you can see the broader context of this year's edition.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"828\" height=\"1024\" src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/fotofestiwal-2025-828x1024.png\" alt=\"\" class=\"lazyload_inited wp-image-33295\" srcset=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/fotofestiwal-2025-828x1024.png 828w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/fotofestiwal-2025-243x300.png 243w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/fotofestiwal-2025-768x950.png 768w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/fotofestiwal-2025-1242x1536.png 1242w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/fotofestiwal-2025-10x12.png 10w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/fotofestiwal-2025-370x458.png 370w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/fotofestiwal-2025-1290x1595.png 1290w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/fotofestiwal-2025-1080x1336.png 1080w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/fotofestiwal-2025-865x1070.png 865w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/fotofestiwal-2025-642x794.png 642w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/fotofestiwal-2025-590x730.png 590w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/fotofestiwal-2025.png 1394w\" sizes=\"(max-width: 828px) 100vw, 828px\" \/><\/figure>\n\n\n\n<p> The 24th edition of the Fotofestiwal was realized by a team under the direction of the<strong> Krzysztof Candrowicz<\/strong> (Artistic Director), composed of: <strong>Marta Szymanska, Franek Ammer, Gosia Slomska, Kamila Golik, Justyna Kociszewska, Paula Strugi\u0144ska, Patrycja Narozna, Joanna Karpinska, Mafalda Ru\u00e3o, Martyna Walczak, Wiktor Szkopek, Tomasz Roszczybiuk, Magda Kaminska, Dominika Repetto Czapska, Dorota Schreiber, Ida Czajkowska, Ola Shaya, Jacek Laube.<\/strong><\/p>\n\n\n\n<ol start=\"24\" class=\"wp-block-list\">\n<li><\/li>\n<\/ol>\n\n\n\n<p><strong>Organized by<\/strong> The festival was the Foundation for Visual Education.<br><strong>Co-organizers<\/strong>: Lodz Event Center, Ministry of Culture and National Heritage, Art Factory in Lodz.<br><strong>Major partners:<\/strong> Futures Photography (with funding from the European Union Creative Europe Program), University of Lodz, Heritage Lens, British Council (as part of UK\/Poland Season 2025), Pro Helvetia.<br><strong>Festival Center:<\/strong> Art_Incubator at the Art Factory.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><br><strong>Fotofestiwal 2025 - our choice, our pace<\/strong><\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The premiere of the 48th issue of our magazine coincided with this year's Fotofestival. Now, with the publication of the 50th issue, three months have passed since that event. This is a moment too late for a \"hot\" report, but at the same time good enough to look back and, from a distance, grasp what really stayed in the memory.<\/h2>\n\n\n\n<p>And there was a lot going on.<br>Fotofestiwal in Lodz includes more than 25 exhibitions of the Main Program and the City Program, more than 30 exhibitions in the accompanying SpinOFF program, plus competitions, announcements of results, meetings, screenings, presentations, author's portfolio review (Photo-Match), films, talks, discussions, music, dances, curator tours, performances. And dozens of side events.<br>Books - lots of books. Slide shows, Photo Night, Ravekjavik Festival, workshops, magazines, publications, walks, city exploration. Lots of stimuli - not always easy to sort out, but memorable.<\/p>\n\n\n\n<p>On this page we present an expanded selection of photos - based on official press materials provided by the festival organizers and an expansion of our publication from the print edition.<br>In time, we will also add our own photographic documentation - because you come back to this event more than once.<\/p>\n\n\n\n<p>MAIN EXHIBITIONS.<\/p>\n\n\n\n<p><strong>Yorgos Lanthimos<\/strong> - Interference time<\/p>\n\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-8cf370e7 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"823\" height=\"1024\" data-id=\"33462\" src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_09-823x1024.jpg\" alt=\"\" class=\"lazyload_inited wp-image-33462\" srcset=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_09-823x1024.jpg 823w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_09-241x300.jpg 241w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_09-768x955.jpg 768w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_09-1235x1536.jpg 1235w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_09-10x12.jpg 10w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_09-370x460.jpg 370w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_09-1290x1604.jpg 1290w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_09-1080x1343.jpg 1080w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_09-865x1076.jpg 865w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_09-642x799.jpg 642w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_09-590x734.jpg 590w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_09.jpg 1608w\" sizes=\"(max-width: 823px) 100vw, 823px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"828\" data-id=\"33453\" src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_05-1024x828.jpg\" alt=\"\" class=\"lazyload_inited wp-image-33453\" srcset=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_05-1024x828.jpg 1024w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_05-300x243.jpg 300w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_05-768x621.jpg 768w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_05-1536x1242.jpg 1536w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_05-2048x1656.jpg 2048w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_05-15x12.jpg 15w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_05-370x299.jpg 370w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_05-1290x1043.jpg 1290w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_05-1080x873.jpg 1080w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_05-865x700.jpg 865w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_05-642x519.jpg 642w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Yorgos-Lanthimos_Main-Program_05-590x477.jpg 590w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div>\n\n\n\n<p><strong>MAIN PROGRAM<\/strong> - SYSTEMS, BELIEFS, PROPAGANDA<\/p>\n\n\n\n<p>Exhibitions that analyze the mechanisms we believe in and succumb to:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Debi Cornwall <\/strong>- Model citizen - we present in this issue!&nbsp;<\/li>\n\n\n\n<li><strong>Michael Sita<\/strong> - Stories of Poland<\/li>\n\n\n\n<li><strong>Hoda Afshar<\/strong> - Language of the wind<\/li>\n\n\n\n<li><strong>M\u00e1t\u00e9 Bartha<\/strong> - Anima Mundi<\/li>\n\n\n\n<li><strong>Maen Hammad<\/strong> - Landing<\/li>\n\n\n\n<li><strong>Salvatore Vitale<\/strong> - Death by GPS<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 125.03052503053%;\" loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"33465\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Debi-Cornwall_Main-Program_Smoke-Bomb-819x1024.jpg\" alt=\"\" class=\"wp-image-33465\"   \/><figcaption class=\"wp-element-caption\">Debi Cornwall Smoke Bomb<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 149.92679355783%;\" loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-id=\"33472\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Michal-Sita_Main-Program_History-of-Poland-vol.2_02-1-683x1024.jpg\" alt=\"\" class=\"wp-image-33472\"   \/><figcaption class=\"wp-element-caption\">Michal Sita History of Poland vol.2<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 75%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"33466\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Michal-Sita_Main-Program_History-of-Poland-vol.2_04-1024x768.jpg\" alt=\"\" class=\"wp-image-33466\"   \/><figcaption class=\"wp-element-caption\">Michal Sita History of Poland vol.2<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 56.25%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"33469\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Hodar-Afshar_Main-Program_Speak-the-Wind_05-1-1024x576.jpg\" alt=\"\" class=\"wp-image-33469\"   \/><figcaption class=\"wp-element-caption\">Hodar Afshar Speak the Wind<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 81.54296875%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"835\" data-id=\"33471\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Hodar-Afshar_Main-Program_Speak-the-Wind_04-1-1024x835.jpg\" alt=\"\" class=\"wp-image-33471\"   \/><figcaption class=\"wp-element-caption\">Hodar Afshar Speak the Wind<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 100%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"33470\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Mate-Bartha_Main-Program_Anima_03-1-1024x1024.jpg\" alt=\"\" class=\"wp-image-33470\"   \/><figcaption class=\"wp-element-caption\">Mate Bartha Anima<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"33474\" src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_03-1-1024x683.jpeg\" alt=\"\" class=\"wp-image-33474\" srcset=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_03-1-1024x683.jpeg 1024w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_03-1-300x200.jpeg 300w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_03-1-768x512.jpeg 768w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_03-1-1536x1024.jpeg 1536w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_03-1-2048x1365.jpeg 2048w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_03-1-18x12.jpeg 18w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_03-1-370x247.jpeg 370w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_03-1-1290x860.jpeg 1290w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_03-1-1080x720.jpeg 1080w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_03-1-865x577.jpeg 865w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_03-1-642x428.jpeg 642w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_03-1-590x393.jpeg 590w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Maen Hammad Landing<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"33473\" src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_06-1-1024x683.jpeg\" alt=\"\" class=\"wp-image-33473\" srcset=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_06-1-1024x683.jpeg 1024w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_06-1-300x200.jpeg 300w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_06-1-768x512.jpeg 768w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_06-1-1536x1024.jpeg 1536w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_06-1-2048x1365.jpeg 2048w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_06-1-18x12.jpeg 18w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_06-1-370x247.jpeg 370w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_06-1-1290x860.jpeg 1290w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_06-1-1080x720.jpeg 1080w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_06-1-865x577.jpeg 865w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_06-1-642x428.jpeg 642w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Maen-Hammad_Main-Program_Landing_06-1-590x393.jpeg 590w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Maen Hammad Landing<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 133.33333333333%;\" loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"33476\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Vitale-Salvatore_Main-Program_Death-by-GPS_\u00a9Salvatore-Vitale_8-1-768x1024.jpg\" alt=\"\" class=\"wp-image-33476\"   \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 75%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"33475\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Vitale-Salvatore_Main-Program_Death-by-GPS_\u00a9Salvatore-Vitale_7-1-1024x768.jpg\" alt=\"\" class=\"wp-image-33475\"   \/><\/figure>\n<\/figure>\n\n\n\n<p><strong>Children's photography exhibition<\/strong>: <em>Let's play with books<\/em> - <br>is a bit of an exhibition and a bit of a playground - books and publications for the youngest from around the world: Adam Broomberg &amp; Oliver Chanarin, Dominika Czerniak-Chojnacka, Karl \u010capek &amp; Karel Teige, Claire D\u00e9, Charles Fr\u00e9ger, Tana Hoban, Jan von Holleben, Eikoh Hosoe, Gabriele Lorenzer, Stefan Themerson &amp; Franciszka Themerson, Jan Styczynski, Jaap Scheeren &amp; Luke Stephenson, Martin Parr, Ylla and many others.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 42.857142857143%;\" loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"300\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/foto_700x300_www.jpg\" alt=\"\" class=\"wp-image-33429\"   \/><\/figure>\n\n\n\n<p><br><\/p>\n\n\n\n<p><br><strong>OPEN PROGRAM 2025<\/strong> - Akshay Mahajan, Carlos Idun-Tawiah, Claudia Fuggetti, Emilia Martin, Hannes Jung and Massimiliano Corteselli<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 82.32421875%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"843\" data-id=\"33480\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Akshay-Mahajan_Open-Program_People-of-Clay_Daughter-of-elephants-1-1024x843.jpg\" alt=\"\" class=\"wp-image-33480\"   \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 82.32421875%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"843\" data-id=\"33488\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Akshay-Mahajan_Open-Program_People-of-Clay_Ten-faced-mask-1-1024x843.jpg\" alt=\"\" class=\"wp-image-33488\"   \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"731\" data-id=\"33481\" src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Blue-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-1024x731.jpeg\" alt=\"\" class=\"wp-image-33481\" srcset=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Blue-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-1024x731.jpeg 1024w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Blue-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-300x214.jpeg 300w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Blue-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-768x549.jpeg 768w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Blue-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-18x12.jpeg 18w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Blue-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-370x264.jpeg 370w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Blue-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-1290x921.jpeg 1290w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Blue-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-1080x771.jpeg 1080w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Blue-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-865x618.jpeg 865w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Blue-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-642x459.jpeg 642w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Blue-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-590x421.jpeg 590w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Blue-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1.jpeg 1449w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"33482\" src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Dreams-from-my-father-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-819x1024.jpeg\" alt=\"\" class=\"wp-image-33482\" srcset=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Dreams-from-my-father-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-819x1024.jpeg 819w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Dreams-from-my-father-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-240x300.jpeg 240w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Dreams-from-my-father-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-768x960.jpeg 768w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Dreams-from-my-father-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-10x12.jpeg 10w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Dreams-from-my-father-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-370x463.jpeg 370w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Dreams-from-my-father-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-1080x1350.jpeg 1080w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Dreams-from-my-father-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-865x1082.jpeg 865w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Dreams-from-my-father-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-642x803.jpeg 642w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Dreams-from-my-father-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-590x738.jpeg 590w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_Dreams-from-my-father-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1.jpeg 1094w\" sizes=\"(max-width: 819px) 100vw, 819px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"819\" data-id=\"33483\" src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_It_s-right-there-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-1024x819.jpeg\" alt=\"\" class=\"wp-image-33483\" srcset=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_It_s-right-there-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-1024x819.jpeg 1024w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_It_s-right-there-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-300x240.jpeg 300w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_It_s-right-there-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-768x614.jpeg 768w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_It_s-right-there-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-15x12.jpeg 15w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_It_s-right-there-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-370x296.jpeg 370w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_It_s-right-there-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-1290x1032.jpeg 1290w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_It_s-right-there-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-1080x864.jpeg 1080w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_It_s-right-there-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-865x692.jpeg 865w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_It_s-right-there-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-642x514.jpeg 642w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_It_s-right-there-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1-590x472.jpeg 590w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Carlos-Idun-Tawiah_Open-Program_Hero-Father-Friend_It_s-right-there-_-Copyright-Carlos-Idun-Tawiah-@-Alta-1.jpeg 1369w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 149.70760233918%;\" loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" data-id=\"33484\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Claudia-Fuggetti_Open-Program_Metamorphosis_The-Jungle-1-684x1024.jpg\" alt=\"\" class=\"wp-image-33484\"   \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 79.98046875%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"819\" data-id=\"33486\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Emilia-Martin_Open-Program_I-Saw-a-Tree-Bearing-Stones-in-the-Place-of-Apples-and-pears_As-they-gathered-part-2-1-1024x819.jpg\" alt=\"\" class=\"wp-image-33486\"   \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 80.17578125%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"821\" data-id=\"33485\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Emilia-Martin_Open-Program_I-Saw-a-Tree-Bearing-Stones-in-the-Place-of-Apples-and-pears_Domestic-part-2-1-1024x821.jpg\" alt=\"\" class=\"wp-image-33485\"   \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 125.03052503053%;\" loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"33487\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Emilia-Martin_Open-Program_I-Saw-a-Tree-Bearing-Stones-in-the-Place-of-Apples-and-pears_The-bell-jar-1-819x1024.jpg\" alt=\"\" class=\"wp-image-33487\"   \/><\/figure>\n<\/figure>\n\n\n\n<p><strong>CITY PROGRAM <\/strong>- EXHIBITS IN INSTITUTIONS or places outside the Art_incubator<\/p>\n\n\n\n<p>Or exhibitions realized in cooperation with museums and galleries in Lodz:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Szymon Roginski<\/strong> and Andrew Strumillo - I don't dream. I don't feel loneliness. I don't have hope. And I am not afraid of death<\/li>\n\n\n\n<li><strong>Niccol\u00f2 Rastrelli <\/strong>- They don't look like me<\/li>\n\n\n\n<li><strong>Anatol Krakowski, Karolina Jonderko, Tim Smith, Czes\u0142aw Jan Siegieda and Micha\u0142 Iwanowski <\/strong>- Here and there<\/li>\n\n\n\n<li><strong>Dorothy and Louis Bohm<\/strong> - Six things that make a person happy<\/li>\n\n\n\n<li><strong><em>Not by work alone does a man live<\/em><\/strong>- historical photography | Museum of the City of Lodz; curator Marta Madejska<\/li>\n\n\n\n<li><strong>Sophie Thun <\/strong>- Secret Performance - under the patronage of \"FOTOGRAPHY Quarterly\" (the exhibition lasts until 20.10.2025 at ms1, 36 Wi\u0119ckowskiego Street).<\/li>\n\n\n\n<li><strong>Anita Andrzejewska <\/strong>- Dancing Your Dream Awake<\/li>\n\n\n\n<li>University of Lodz 2 exhibitions -. <em>Community Stories<\/em> + <em>Photo-photosophic activities: Sampler<\/em><\/li>\n\n\n\n<li><em>G.R.O.T.E.S.K. <\/em>- the common language of Eastern Europe<\/li>\n\n\n\n<li>Exhibitions within the&nbsp;<\/li>\n\n\n\n<li><strong>SpinOFF <\/strong>- More than 30 exhibitions in galleries, cafes, showcases and studios throughout Lodz. Often surprising locations, independent initiatives, local and international artists.<\/li>\n\n\n\n<li><strong>Dominika Sadowska and Wojciech Leder<\/strong>, Anamnesis<\/li>\n\n\n\n<li><strong>Ewa Partum <\/strong>- Change<\/li>\n\n\n\n<li><strong>Konrad Kuzyszyn <\/strong>- In the Spectrum of Melancholy<\/li>\n\n\n\n<li><strong>Katarzyna Serkowska<\/strong> - That sounds great<\/li>\n\n\n\n<li><strong>Jason Fulford <\/strong>- Plenty of plenty - an installation in the historic YMCA pool (not available on a daily basis)<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 100%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"33491\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Jason-Fulford_Main-Program_Lots-of-Lots_01-1024x1024.jpg\" alt=\"\" class=\"wp-image-33491\"   \/><figcaption class=\"wp-element-caption\">Jason Fulford<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 75%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"33494\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Niccolo-Rastrelli_City-Program_They-don_t-look-like-me_03-1024x768.jpg\" alt=\"\" class=\"wp-image-33494\"   \/><figcaption class=\"wp-element-caption\"><strong>Niccol\u00f2 Rastrelli<\/strong> <em>They don't look like me <\/em><br>05 May 2024<br>Pretaporco (45), poses with his parents at their home in Kanagawa, Japan;<br>Pretaporco is a performer and drag queen who has been cosplaying for about 20 years.<br>In the photo he plays \"Piccolo\" one of the main characters from the manga \"Dragon Ball\".<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 75%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"33493\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Niccolo-Rastrelli_City-Program_They-don_t-look-like-me_04-1024x768.jpg\" alt=\"\" class=\"wp-image-33493\"   \/><figcaption class=\"wp-element-caption\"><strong>Niccol\u00f2 Rastrelli<\/strong> <em>They don't look like me <\/em><br>15 May 2024<br>Pitan (33) poses with her three cats, her current family, in her bedroom in Tokyo.<br>Pitan produces costumes for successful young artists from the world of entertainment.<br>In the photo she plays \"Nenekochan\" an original cosplay, a doll with the appearance of a cat.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 75%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"33492\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Niccolo-Rastrelli_City-Program_They-don_t-look-like-me_05-1024x768.jpg\" alt=\"\" class=\"wp-image-33492\"   \/><figcaption class=\"wp-element-caption\"><strong>Niccol\u00f2 Rastrelli<\/strong> <em>They don't look like me <\/em><br>11 May 2024<br>Uta (19) poses with his family at their home in the city of Chiba, Japan.<br>Uta is a student and has been practicing Cosplay for 4 years.<br>In the photo he plays \"Toshikazu Hazamada\" a secondary character from the manga series JoJo's Bizarre Adventure Part 4;<br>He chose a secondary character because he describes himself as an introverted person not suitable for portraying a main character.<br><\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>At Fotofestiwal in Lodz, as at other festivals and large photography exhibitions, prints of works dominate, so it is always with curiosity that we look out for the so-called traditional prints, i.e. analog, black and white prints, produced by hand in a photographic darkroom. Such an exhibition is (can be seen until October 26 this year) a show of<strong> Sophie Thun<\/strong> entitled\u00a0<em>Secret performance<\/em>, organized by the Museum of Art in Lodz in a building at 43 Gdanska Street.<\/p>\n\n\n\n<p>A graduate of the Academy of Fine Arts in Vienna and Krakow, living in Vienna, she has been fascinated for many years by the nature of the photographic medium and the processes within it, especially in the photographic darkroom; in Lodz, she shows huge (in format) prints on traditional photographic paper, which are most often assemblies from smaller prints re-photographed and then enlarged. She originally photographs, for example, the interiors of photographic laboratories, their fragments, as well as museum warehouses and other less representative museum rooms, creating surprising compositions out of them. The artist also uses the technique of photograms with great freedom, which she skillfully combines with \"normal\" photographs.<\/p>\n\n\n\n<p>An interesting procedure used in the&nbsp;<em>Secret performance&nbsp;<\/em>is to combine Thun's works with photographs (vintage prints) by Polish women photographers from the collections of the \u0141\u00f3d\u017a Museum of Art, such as Eva Rubinstein, Zofia Rydet, Jerzy Lewczy\u0144ski, Miko\u0142aj Smoczy\u0144ski or Bogdan Konopka. Sophie Thun's works also often feature the artist herself, also multiplied. In summary, this is an interesting artistic proposal, referring to the many achievements and realizations of photography - and more broadly: art - conceptual, seeming almost to shout: analog still has great potential. Talk in the same way that all the melodies in the key of C major have not yet been written, surprising and fractious works of art can still be created in the photographic darkroom.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 193.93939393939%;\" loading=\"lazy\" decoding=\"async\" width=\"528\" height=\"1024\" data-id=\"33555\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Reprodukcja-1-Sophie-Thun-Secret-Performance-Muzeum-Sztuki-Press-528x1024.jpg\" alt=\"\" class=\"wp-image-33555\"   \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 70.60546875%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"723\" data-id=\"33556\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Reprodukcja-2-Sophie-Thun-Secret-Performance-Muzeum-Sztuki-Press-1024x723.jpg\" alt=\"\" class=\"wp-image-33556\"   \/><figcaption class=\"wp-element-caption\">The Secret Performance; Smoczynski, Mikolaj; 1987; Museum of Art in Lodz; photography \/ b\/w photography; paper \/ photographic paper; H 105.5 cm, W 123.5 cm; MS\/SN\/F\/2284; All rights reserved. \u00a9 Wojciech Smoczynski, Anna Smoczynska and Museum of Art, Lodz.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.6015625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-id=\"33554\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Reprodukcja-3-Sophie-Thun-Secret-Performance-Muzeum-Sztuki-Press-1024x682.jpg\" alt=\"\" class=\"wp-image-33554\"   \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 84.47265625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"865\" data-id=\"33558\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Reprodukcja-4-Sophie-Thun-Secret-Performance-Muzeum-Sztuki-Press-1024x865.jpg\" alt=\"\" class=\"wp-image-33558\"   \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 27.9296875%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"286\" data-id=\"33557\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Reprodukcja-5-Sophie-Thun-Secret-Performance-Muzeum-Sztuki-Press-1024x286.jpg\" alt=\"\" class=\"wp-image-33557\"   \/><figcaption class=\"wp-element-caption\">Disapperance; Kopystiansky, Igor; 1980\/1992; Museum of Art, Lodz; photography \/ black and white photography; paper \/ photographic paper, audio-photo-video media \/ photosensitive emulsion; 40 cm wide (each), 30 cm high; MS\/SN\/F\/3098\/1-5; All rights reserved. \u00a9 Igor Kopystiansky<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p><strong>PHOTOGRAPHIC BOOKS (exhibitions and competitions):<\/strong><\/p>\n\n\n\n<p>In protest we believe - books from the Protestinphotobook collection<\/p>\n\n\n\n<p>Jason Fulford - Stack of books<\/p>\n\n\n\n<p>Photo books about Palestine<\/p>\n\n\n\n<p>Dummy Award 2025<\/p>\n\n\n\n<p>Photographic Publication of the Year<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 79.98046875%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"819\" data-id=\"33498\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Karol-Szymkowiak_Futures-Talents_0169-8629-5223-01750_image_02-1-1024x819.jpg\" alt=\"\" class=\"wp-image-33498\"   \/><figcaption class=\"wp-element-caption\"><strong>Karol Szymkowiak<\/strong><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 125.03052503053%;\" loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"33499\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2025\/09\/Karol-Szymkowiak_Futures-Talents_0169-8629-5223-01750_image_12-1-819x1024.jpg\" alt=\"\" class=\"wp-image-33499\"   \/><figcaption class=\"wp-element-caption\"><strong>Karol Szymkowiak<\/strong><\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p><strong>+ PHOTO-MATCH<\/strong><\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>The call for entries for the Open Program of next year's Fotofestival is open until October 15 - who knows, maybe it will be your photos we will see in Lodz in June 2026? \u27a1\ufe0f Details of the call for entries &gt;&gt; Did you get here by scanning the QR code from our print issue? This is the right place.In the presented issue we have shown a carefully selected set of photos from the 24th Fotofestival in Lodz. Here you will find...<\/p>","protected":false},"author":31,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[1],"tags":[],"class_list":["post-33294","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/posts\/33294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/users\/31"}],"replies":[{"embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/comments?post=33294"}],"version-history":[{"count":3,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/posts\/33294\/revisions"}],"predecessor-version":[{"id":33559,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/posts\/33294\/revisions\/33559"}],"wp:attachment":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/media?parent=33294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/categories?post=33294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/tags?post=33294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}