{"id":30686,"date":"2024-11-30T12:46:24","date_gmt":"2024-11-30T11:46:24","guid":{"rendered":"https:\/\/kwartalnikfotografia.pl\/?p=30686"},"modified":"2024-11-30T12:46:27","modified_gmt":"2024-11-30T11:46:27","slug":"kontakty-czas-natury-jeleniogorska-szkola-fotografii","status":"publish","type":"post","link":"https:\/\/kwartalnikfotografia.pl\/en\/kontakty-czas-natury-jeleniogorska-szkola-fotografii\/","title":{"rendered":"Contacts. Nature Time. Jelenia G\u00f3ra School of Photography"},"content":{"rendered":"<p class=\"has-text-align-center\"><strong>Fotoformum Gallery in Dresden, Neustadter Markt 12 \/ Opening: November 29 (Friday), 6:00 pm \/ Exhibition runs until January 25, 2025.<\/strong>.<\/p>\n\n\n\n<p class=\"has-text-align-center\">We would like to invite you to the next installment of the series \"Contacts\", an exhibition that is related to the notion of ,,Jeleniog\u00f3rska Szkola Fotografii\" (Jelenia G\u00f3ra School of Photography), which has been functioning for many years. This concept in Polish art criticism is synonymous with a return to traditional, noble craftsmanship, to photography, in which the important thing is the return to photography on film reflected in the photographic darkroom, without any digital interference. Only true photographic craftsmanship counts.<\/p>\n\n\n\n<p>The Jelenia G\u00f3ra School of Photography developed in Jelenia G\u00f3ra at the foot of the Karkonosze Mountains in Lower Silesia. For years associated in Poland with traditional black-and-white classical photography, its environment has developed a peculiar and unusual in the contemporary world of photography. Since the 1980s, Jelenia Gora has also cultivated the idea of contact photography, which is created by contact printing a large-format negative onto photographic paper using the darkroom method, without enlargement or framing.<\/p>\n\n\n\n<p>The exhibition ,,Contacts. Time of Nature. Jelenia G\u00f3ra School of Photography,\" prepared by the BWA Gallery in Jelenia G\u00f3ra, is the third installment of the series of classical photography exhibitions in the \"Contacts\" series, which the BWA Gallery has been implementing since 2019. The exhibition will be a story about the place of nature in the modern world. The essence symbolizing nature is the tree, as an entity existing on earth that transcends our human time and dimension of existence<\/p>\n\n\n\n<p>The Dresden exhibition will feature historical photographs by the late masters and doyens of the Jelenia G\u00f3ra School of Photography - Ewa Andrzejewska and Wojciech Zawadzki, in a separate small presentation, as well as photographic artists for whom black-and-white contact photography is the main means of artistic expression. We will see works by artists such as: Adam Bencal, Jaroslav Benes, Jerzy Chaberek, Monika Cichoszewska, Paulina \u0106wiek, Slawoj Dubiel, Marek Gardulski, Maciej Herman, Jacek Jasko, Eugeniusz J\u00f3zefowski, Ryszard Karczmarski, Marcin Kie\u0142biewski, Grzegorz Kukla, Andrzej Jerzy Lech, Adam Lesisz, Marek Liksztet, Marcin Masiewicz, Jurgen Matschie, Jacek Michalak, Tomasz Micha\u0142owski, Tomasz Mielech, Janusz Moniatowicz, Halina Morcinek, Dorota Mo\u015bcibrodzka, Mariusz Mykicki, Krzysztof Niewiadomski, Marek Noniewicz, Marek Po\u017aniak, Edward Pruchnicki, Tomasz Sidor, Wojciech Sternak, Rafa\u0142 Swosi\u0144ski, Marek Szyryk, Waldemar \u015aliwczy\u0144ski, Jacek \u015alusarczyk, Tomasz Walczak, Jan Zawadzki, Petr Zinke, Tadeusz \u017baczek.<\/p>\n\n\n\n<p>On November 30, at 4:00 pm, the Fotoforum space will host a meeting dedicated to the Jelenia G\u00f3ra School of Photography.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"403\" height=\"567\" src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2024\/11\/Plakat-Drezno.jpg\" alt=\"\" class=\"lazyload_inited wp-image-30687\" srcset=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2024\/11\/Plakat-Drezno.jpg 403w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2024\/11\/Plakat-Drezno-213x300.jpg 213w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2024\/11\/Plakat-Drezno-9x12.jpg 9w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2024\/11\/Plakat-Drezno-370x521.jpg 370w\" sizes=\"(max-width: 600px) 100vw, 403px\" \/><\/figure>\n\n\n\n<p>Curator of the exhibition: Joanna Mielech<br>Coordinators from the German side: Tomasz Lewandowski<\/p>\n\n\n\n<p class=\"has-text-align-center\">Organizer of the exhibition: the Art Exhibition Office in Jelenia G\u00f3ra.<br>Organizer on the German side: Forum fur Zeitgenossische Fotografie Dresden<\/p>","protected":false},"excerpt":{"rendered":"<p>Fotoformum Gallery in Dresden, Neustadter Markt 12 \/ Vernissage: November 29 (Friday), 6:00 pm \/ Exhibition runs until January 25, 2025 We invite you to the next installment of the series \"Contacts\", an exhibition that is related to the notion of ,,Jeleniog\u00f3rska Szkola Fotografii\", which has been functioning for many years. This notion in Polish art criticism is synonymous with a return to traditional, noble craftsmanship, to...<\/p>","protected":false},"author":63,"featured_media":30687,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[352],"tags":[],"class_list":["post-30686","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wydarzenia"],"_links":{"self":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/posts\/30686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/comments?post=30686"}],"version-history":[{"count":1,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/posts\/30686\/revisions"}],"predecessor-version":[{"id":30688,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/posts\/30686\/revisions\/30688"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/media\/30687"}],"wp:attachment":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/media?parent=30686"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/categories?post=30686"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/tags?post=30686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}