{"id":25446,"date":"2023-09-24T00:05:25","date_gmt":"2023-09-23T22:05:25","guid":{"rendered":"https:\/\/kwartalnikfotografia.pl\/?p=25446"},"modified":"2023-09-24T17:05:17","modified_gmt":"2023-09-24T15:05:17","slug":"9-vintage-photo-festiwal-obserwatorium-festiwal-fotopioyt-nowak","status":"publish","type":"post","link":"https:\/\/kwartalnikfotografia.pl\/en\/9-vintage-photo-festiwal-obserwatorium-festiwal-fotopioyt-nowak\/","title":{"rendered":"9th Vintage Photo Festival - The Observatory"},"content":{"rendered":"\n<p>Tegoroczna, ju\u017c 9. edycja Vintage Photo Festiwalu odby\u0142a si\u0119 pod nazw\u0105 <em>Obserwatorium<\/em>. Jedyny taki festiwal w kraju przyci\u0105ga od lat do Bydgoszczy fotograf\u00f3w i mi\u0142o\u015bnik\u00f3w fotografii tradycyjnej, analogowej. I tym razem zainteresowanie festiwalem by\u0142o ogromne, a w przeciwie\u0144stwie do poprzednich edycji, wystawy i wydarzenia towarzysz\u0105ce odbywa\u0142y si\u0119 nie tylko w mie\u015bcie Fotonu, ale tak\u017ce poza granicami Bydgoszczy. Otwarcie festiwalu odby\u0142o si\u0119 15.09.2023 w Miejskim Centrum Kultury. <\/p>\n\n\n\n<p>Podczas ceremonii otwarcia, Katarzyna G\u0119barowska, dyrektorka artystyczna VPF, wr\u0119czy\u0142a nagrody uczestnikom konkursu Vintage Grand Prix, chocia\u017c najwa\u017cniejszym punktem by\u0142o wr\u0119czenie Krzysztofowi Giera\u0142towskiemu Z\u0142otej Rolki za ca\u0142okszta\u0142t tw\u00f3rczo\u015bci. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5076-1024x768.jpg\" alt=\"\" class=\"lazyload_inited wp-image-25513\" srcset=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5076-1024x768.jpg 1024w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5076-scaled-590x443.jpg 590w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5076-300x225.jpg 300w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5076-768x576.jpg 768w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5076-1536x1152.jpg 1536w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5076-2048x1536.jpg 2048w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5076-16x12.jpg 16w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5076-370x278.jpg 370w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5076-533x400.jpg 533w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5076-1290x968.jpg 1290w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5076-1080x810.jpg 1080w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5076-865x649.jpg 865w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5076-642x482.jpg 642w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Krzysztof Giera\u0142towski (w \u015brodku) ze Z\u0142ot\u0105 Rolk\u0105 za ca\u0142okszta\u0142t Tw\u00f3rczo\u015bci<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5081-1024x768.jpg\" alt=\"\" class=\"lazyload_inited wp-image-25510\" srcset=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5081-1024x768.jpg 1024w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5081-scaled-590x443.jpg 590w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5081-300x225.jpg 300w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5081-768x576.jpg 768w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5081-1536x1152.jpg 1536w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5081-2048x1536.jpg 2048w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5081-16x12.jpg 16w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5081-370x278.jpg 370w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5081-533x400.jpg 533w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5081-1290x968.jpg 1290w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5081-1080x810.jpg 1080w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5081-865x649.jpg 865w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5081-642x482.jpg 642w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Monika Cichoszewska otrzyma\u0142 3 nagrod\u0119 na Vintage Grand Prix za <em>\u015awiaty r\u00f3wnoleg\u0142e<\/em> <\/figcaption><\/figure>\n\n\n\n<p>Na gali zaprezentowano m.in. pokaz slajd\u00f3w <em>Nie\/zno\u015bna lekko\u015b\u0107 bytu<\/em> przygotowany przez internetowe Archiwum Fortepan, kt\u00f3rego polskim przedstawicielem jest \u0142\u00f3dzki Fotofestiwal. Po raz pierwszy prezentacji towarzyszy\u0142a muzyka na \u017cywo w wykonaniu bydgoskich muzyk\u00f3w. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Fortepan na Vintage Photo Festival\" width=\"1400\" height=\"788\" data-trx-lazyload-src=\"https:\/\/www.youtube.com\/embed\/h_HfiGYEByQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Fortepan po raz pierwszy z muzyk\u0105 na \u017cywo<\/figcaption><\/figure>\n\n\n\n<p>Bardzo interesuj\u0105ca by\u0142a wystawa <em>Wywo\u0142ywanie<\/em> Edwarda Hartwiga pokazana w Bydgoskim Centrum Sztuki, a przygotowana przez Marik\u0119 Ku\u017amicz i Dariusz Miko\u0142ajczaka z Fundacji im. Edwarda Hartwiga. Jak wszyscy wiemy, Mistrz by\u0142 niezwykle p\u0142odny fotograficznie, dlatego wybranie kilkudziesi\u0119ciu prac z jego ogromnego archiwum, aby ukaza\u0107 najwa\u017cniejsze etapy rozwoju artystycznego Hartwiga musia\u0142o by\u0107 zadaniem niezwykle trudnym. Kuratorom nale\u017cy z\u0142o\u017cy\u0107 wyrazy uznania, poniewa\u017c pokaz jest bardzo interesuj\u0105cy merytorycznie i wizualnie. G\u0142\u00f3wnie dzi\u0119ki orygina\u0142om \u2013&nbsp;szklanym negatywom oraz odbitkom zrobionym r\u0119k\u0105 artysty, czyli vintage. W dobie wszechobecnych wydruk\u00f3w i projekcji, mo\u017cliwo\u015b\u0107 zobaczenia \u201eprawdziwych\u201d, klasycznych fotografii, i to takiego mistrza pracy ciemniowej jakim by\u0142 Hartwig, jest warto\u015bci\u0105 sam\u0105 w sobie. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5127-1024x768.jpg\" alt=\"\" class=\"lazyload_inited wp-image-25527\" srcset=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5127-1024x768.jpg 1024w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5127-scaled-590x443.jpg 590w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5127-300x225.jpg 300w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5127-768x576.jpg 768w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5127-1536x1152.jpg 1536w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5127-2048x1536.jpg 2048w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5127-16x12.jpg 16w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5127-370x278.jpg 370w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5127-533x400.jpg 533w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5127-1290x968.jpg 1290w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5127-1080x810.jpg 1080w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5127-865x649.jpg 865w, https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_5127-642x482.jpg 642w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Od lewej: Marika Ku\u017amicz oraz Dariusz Miko\u0142ajczak, oboje z Fundacji im. Edwarda Hartwiga oraz Kasia G\u0119barowska, szefowa Vintage Photo Festival<\/figcaption><\/figure>\n\n\n\n<p>Festiwalowe has\u0142o <em>Obserwatorium<\/em> objawia\u0142o si\u0119 nie tylko na zebranych wystawach, ale tak\u017ce podczas spotka\u0144, warsztat\u00f3w i pokaz\u00f3w filmowych.&nbsp; Zagadnienie dotyczy\u0142o nie tylko materii obrazu w fotografii, ale tak\u017ce zachowa\u0144 spo\u0142ecznych, bada\u0144 nad up\u0142ywem czasu i zmianami, oraz relacji cz\u0142owieka z natur\u0105. &nbsp;<\/p>\n\n\n\n<p>W fotografii tradycyjnej tym bardziej mo\u017cemy dostrzec znaczenie \u201eobserwacji\u201d na fizycznym no\u015bniku, kt\u00f3ry mo\u017cemy dotkn\u0105\u0107 i odkrywa\u0107 historie ludzi, ale tak\u017ce kosmosu, kt\u00f3r\u0105 w swojej wystawie <em>Hello Darkness<\/em> przedstawi\u0142 nam Jason De Freitas. Wernisa\u017c oraz spotkanie autorskie z Jasonem De Freitas odby\u0142o si\u0119 w urokliwymi Pa\u0142acu w Lubostroniu. Jason pochodzi z Australii i tam fotografuje niebo, a dok\u0142adnie cia\u0142a niebieskie i to, co si\u0119 tam wydarza. &nbsp;Rejestruje wszystko na negatywach od ma\u0142ego obrazu po wielki format. Jak sam twierdzi, daje mu to mo\u017cliwo\u015b\u0107 realnego kontaktu z kosmosem. Rejestracja \u015bwiat\u0142a pochodz\u0105cego z kosmosu fizycznie zapisuje si\u0119 na b\u0142onach i jest to najprawdziwszy kontakt ze \u015bwiatami, kt\u00f3re obserwuje za pomoc\u0105 astrofotografii.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.6015625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230916_173805121-1024x682.jpg\" alt=\"\" class=\"wp-image-25447\"   \/><figcaption class=\"wp-element-caption\">Jason De Freitas, <em>Hello Darkness<\/em><\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 150.14662756598%;\" loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230916_170132972-682x1024.jpg\" alt=\"\" class=\"wp-image-25448\"   \/><figcaption class=\"wp-element-caption\">Jason De Freitas, <em>Hello Darkness<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.6015625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230916_170329881-1024x682.jpg\" alt=\"\" class=\"wp-image-25449\"   \/><figcaption class=\"wp-element-caption\">Jason De Freitas, <em>Hello Darkness<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.6015625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230916_170049865-1024x682.jpg\" alt=\"\" class=\"wp-image-25450\"   \/><figcaption class=\"wp-element-caption\">Jason De Freitas, <em>Hello Darkness<\/em><\/figcaption><\/figure>\n\n\n\n<p>Wystawy g\u0142\u00f3wne festiwalu by\u0142y zaprezentowane w \u015bwietnej przestrzeni wystawienniczej Bydgoskiego Centrum Finansowego. By\u0142o to jedno z nowych miejsc na tegorocznej mapie festiwalu, w kt\u00f3rym mo\u017cna by\u0142o zobaczy\u0107 prace: Moniki Cichoszewskiej, <em>\u015awiaty r\u00f3wnoleg\u0142e, <\/em>Markusa Kaeslera, <em>In between<\/em>, Andrzeja Najdera, <em>Alienacje<\/em>, Agaty Rz\u0105sowskiej-Grabickiej, <em>Obserwatorium<\/em>, Bartosza Korcza, <em>Kosmos prywatny<\/em>, Iwony Suszyckiej, <em>Bez Algorytmu<\/em>, Andrewsa Rovenko,<em>The Rocketgirl Chronicles<\/em>, Marii Chrz\u0105szczowskiej, <em>Glorioza<\/em>, Emilii Martin, <em>The blue of the far distance<\/em>, Agaty Faszcza, <em>Ikony<\/em>, Marcina Szpaka, <em>Obserwatorium<\/em>, Lecha Wilczka i Macieja Musia\u0142a, <em>Simona Kossak<\/em>, Jacques Barbier i \u00c9lise Pic, <em>Le commun des mortels, From popular photography\u2026 to the ready-made<\/em> oraz Wetzel i Schuster \u2013 <em>Supermodels.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.6015625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100137469-1024x682.jpg\" alt=\"\" class=\"wp-image-25452\"   \/><figcaption class=\"wp-element-caption\">Andrew Rovenko<em>, The Rocketgirl Chronicles<\/em><\/figcaption><\/figure>\n\n\n<div  id=\"jtg-25454\" class=\"modula modula-gallery modula-creative-gallery\" data-config=\"{&quot;height&quot;:800,&quot;tabletHeight&quot;:800,&quot;mobileHeight&quot;:800,&quot;desktopHeight&quot;:800,&quot;enableTwitter&quot;:false,&quot;enableWhatsapp&quot;:false,&quot;enableFacebook&quot;:false,&quot;enablePinterest&quot;:false,&quot;enableLinkedin&quot;:false,&quot;enableEmail&quot;:false,&quot;randomFactor&quot;:0.5,&quot;type&quot;:&quot;creative-gallery&quot;,&quot;columns&quot;:12,&quot;gutter&quot;:10,&quot;mobileGutter&quot;:10,&quot;tabletGutter&quot;:10,&quot;desktopGutter&quot;:10,&quot;enableResponsive&quot;:&quot;0&quot;,&quot;tabletColumns&quot;:&quot;2&quot;,&quot;mobileColumns&quot;:&quot;1&quot;,&quot;lazyLoad&quot;:0,&quot;lightboxOpts&quot;:{&quot;animated&quot;:true,&quot;Thumbs&quot;:{&quot;type&quot;:&quot;modern&quot;,&quot;showOnStart&quot;:false},&quot;Toolbar&quot;:{&quot;display&quot;:{&quot;right&quot;:[&quot;close&quot;]},&quot;enabled&quot;:true},&quot;Carousel&quot;:{&quot;Panzoom&quot;:{&quot;touch&quot;:true},&quot;infinite&quot;:false},&quot;keyboard&quot;:{&quot;Escape&quot;:&quot;close&quot;,&quot;Delete&quot;:&quot;close&quot;,&quot;Backspace&quot;:&quot;close&quot;,&quot;PageUp&quot;:&quot;next&quot;,&quot;PageDown&quot;:&quot;prev&quot;,&quot;ArrowUp&quot;:&quot;prev&quot;,&quot;ArrowDown&quot;:&quot;next&quot;,&quot;ArrowRight&quot;:&quot;next&quot;,&quot;ArrowLeft&quot;:&quot;prev&quot;},&quot;wheel&quot;:&quot;slide&quot;,&quot;touch&quot;:true,&quot;backdropClick&quot;:&quot;close&quot;,&quot;l10n&quot;:{&quot;CLOSE&quot;:&quot;Close&quot;,&quot;NEXT&quot;:&quot;Next&quot;,&quot;PREV&quot;:&quot;Previous&quot;,&quot;Error&quot;:&quot;The requested content cannot be loaded. Please try again later.&quot;,&quot;PLAY_START&quot;:&quot;Start slideshow&quot;,&quot;PLAY_STOP&quot;:&quot;Pause slideshow&quot;,&quot;FULL_SCREEN&quot;:&quot;Full screen&quot;,&quot;THUMBS&quot;:&quot;Thumbnails&quot;,&quot;DOWNLOAD&quot;:&quot;Download&quot;,&quot;SHARE&quot;:&quot;Share&quot;,&quot;ZOOM&quot;:&quot;Zoom&quot;,&quot;EMAIL&quot;:&quot;Here is the link to the image : %%image_link%% and this is the link to the gallery : %%gallery_link%%&quot;,&quot;MODAL&quot;:&quot;You can close this modal content with the ESC key&quot;,&quot;ERROR&quot;:&quot;Something Went Wrong, Please Try Again Later&quot;,&quot;IMAGE_ERROR&quot;:&quot;Image Not Found&quot;,&quot;ELEMENT_NOT_FOUND&quot;:&quot;HTML Element Not Found&quot;,&quot;AJAX_NOT_FOUND&quot;:&quot;Error Loading AJAX : Not Found&quot;,&quot;AJAX_FORBIDDEN&quot;:&quot;Error Loading AJAX : Forbidden&quot;,&quot;IFRAME_ERROR&quot;:&quot;Error Loading Page&quot;,&quot;TOGGLE_ZOOM&quot;:&quot;Toggle zoom level&quot;,&quot;TOGGLE_THUMBS&quot;:&quot;Toggle thumbnails&quot;,&quot;TOGGLE_SLIDESHOW&quot;:&quot;Toggle slideshow&quot;,&quot;TOGGLE_FULLSCREEN&quot;:&quot;Toggle full-screen mode&quot;},&quot;Images&quot;:{&quot;Panzoom&quot;:{&quot;maxScale&quot;:2}},&quot;mainClass&quot;:&quot;modula-fancybox-container modula-lightbox-jtg-25454&quot;,&quot;Html&quot;:{&quot;videoAutoplay&quot;:0,&quot;videoTpl&quot;:&quot;&lt;video class=\\&quot;fancybox__html5video\\&quot; controls muted playsinline controlsList controlsList=\\&quot;nodownload\\&quot; poster=\\&quot;{{poster}}\\&quot; src=\\&quot;{{src}}\\&quot; type=\\&quot;{{format}}\\&quot; &gt;  Sorry, your browser doesn&#039;t support embedded videos, &lt;a href=\\&quot;{{src}}\\&quot;&gt; download &lt;\\\/a&gt; and watch with your favorite video player! &lt;\\\/video&gt;&quot;}},&quot;inView&quot;:false,&quot;email_subject&quot;:&quot;Sprawd\\u017a ten niesamowity obrazek!&quot;,&quot;email_message&quot;:&quot;Oto odno\\u015bnik do obrazku: %%image_link%%, a to odno\\u015bnik do galerii: %%gallery_link%%&quot;,&quot;lightbox&quot;:&quot;fancybox&quot;,&quot;lightbox_devices&quot;:&quot;both&quot;}\">\n\n\t\n\t<div  class=\"modula-items\">\n\t\t<div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25455\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25455\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Monika Cichoszewska - \u015awiaty r\u00f3wnoleg\u0142e\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_095937264.jpg\" title=\"IMG_20230917_095937264\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_095937264-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_095937264-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25456\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25456\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Monika Cichoszewska - \u015awiaty r\u00f3wnoleg\u0142e\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_095942039.jpg\" title=\"IMG_20230917_095942039\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_095942039-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_095942039-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25457\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25457\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Monika Cichoszewska - \u015awiaty r\u00f3wnoleg\u0142e\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_095959913.jpg\" title=\"IMG_20230917_095959913\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_095959913-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_095959913-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25458\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25458\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Agata Rz\u0105sowska-Grabicka \u2013 Obserwatorium\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100012214.jpg\" title=\"IMG_20230917_100012214\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100012214-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100012214-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25460\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25460\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Agata Faszcza \u2013 Ikony\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100154388.jpg\" title=\"IMG_20230917_100154388\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100154388-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100154388-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25461\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25461\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Agata Faszcza \u2013 Ikony\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100219820.jpg\" title=\"IMG_20230917_100219820\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100219820-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100219820-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25462\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25462\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Agata Faszcza \u2013 Ikony\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100230787.jpg\" title=\"IMG_20230917_100230787\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100230787-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100230787-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25463\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; 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padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25466\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Jacques Barbier i \u00c9lise Pic - Le commun des mortels, \u201eFrom popular photography\u2026 to the ready-made\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100629773.jpg\" title=\"IMG_20230917_100629773\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100629773-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100629773-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25467\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25467\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Jacques Barbier i \u00c9lise Pic - Le commun des mortels, \u201eFrom popular photography\u2026 to the ready-made\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100635433.jpg\" title=\"IMG_20230917_100635433\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100635433-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100635433-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25475\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 150%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25475\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Jacques Barbier i \u00c9lise Pic - Le commun des mortels, \u201eFrom popular photography\u2026 to the ready-made\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_102122453.jpg\" title=\"IMG_20230917_102122453\" crop=\"\" width=\"200\" height=\"300\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_102122453-200x300.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_102122453-200x300.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25468\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25468\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Marcin Szpak \u2013 Obserwatorium\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100701808.jpg\" title=\"IMG_20230917_100701808\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100701808-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100701808-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25469\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25469\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Bartosz Korcz \u2013 Kosmos prywatny\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100715338.jpg\" title=\"IMG_20230917_100715338\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100715338-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100715338-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25470\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25470\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Wetzel i Schuster \u2013 Supermodels\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100729956.jpg\" title=\"IMG_20230917_100729956\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100729956-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100729956-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25459\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25459\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Andrew Rovenko \u2013 The Rocketgirl Chronicles\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100137469-1.jpg\" title=\"IMG_20230917_100137469\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100137469-1-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100137469-1-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25473\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25473\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Andrew Rovenko \u2013 The Rocketgirl Chronicles\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100922696.jpg\" title=\"IMG_20230917_100922696\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100922696-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100922696-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25471\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; 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padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25472\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Andrew Rovenko \u2013 The Rocketgirl Chronicles\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100904014.jpg\" title=\"IMG_20230917_100904014\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100904014-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100904014-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25474\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; 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padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25476\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Emillia Martin \u2013 The blue of the far distance\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_102343492.jpg\" title=\"IMG_20230917_102343492\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_102343492-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_102343492-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25477\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25477\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Emillia Martin \u2013 The blue of the far distance\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_102426780.jpg\" title=\"IMG_20230917_102426780\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_102426780-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_102426780-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t<a data-image-id=\"25478\" role=\"button\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-25454\" data-caption=\"\" aria-label=\"Open image in lightbox\" class=\"tile-inner modula-item-link\"><\/a><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.666666666667%;\" loading=\"lazy\" decoding=\"async\" class=\"pic wp-image-25478\"  data-valign=\"middle\" data-halign=\"center\" alt=\"Emillia Martin \u2013 The blue of the far distance\" data-full=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_102440959.jpg\" title=\"IMG_20230917_102440959\" crop=\"\" width=\"300\" height=\"200\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_102440959-300x200.jpg\" data-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_102440959-300x200.jpg\" data-caption=\"\"   \/>\n\t\t<div class=\"figc no-description\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div>\t\t\n\t<\/div>\n\n\t\n\t\n\t<script type=\"application\/ld+json\">\n\t{\n\t\t\"@context\": \"https:\/\/schema.org\",\n\t\t\"@type\"   : \"ImageGallery\",\n\t\t\"id\"      : \"https:\/\/kwartalnikfotografia.pl\/en\/9-vintage-photo-festiwal-obserwatorium-festiwal-fotopioyt-nowak\/#modula-gallery-25454\",\n\t\t\"url\"     : \"https:\/\/kwartalnikfotografia.pl\/en\/9-vintage-photo-festiwal-obserwatorium-festiwal-fotopioyt-nowak\/\"\n\t}\n\n\t<\/script>\n\n\t\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>Vintage Grand Prix 2023 zdoby\u0142 Andrzej Najder za <em>obserwacje\/alienacje. <\/em>Drugie miejsce zaj\u0105\u0142 Markus Kaesler z cyklem <em>In between<\/em>, a trzecie Monika Cichoszewska i jej <em>\u015awiaty r\u00f3wnoleg\u0142e<\/em>.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 75%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/64a55cfc20f0f130a9faa0f3_1vgp-1024x768.jpg\" alt=\"\" class=\"wp-image-25480\"   \/><figcaption class=\"wp-element-caption\">Andrzej Najder, <em>obserwacje\/alienacje<\/em><\/figcaption><\/figure>\n\n\n\n<p>Andrzej Najder, <em>Alienacje<\/em><\/p>\n\n\n\n<p>Fotografie zosta\u0142y wydrukowane na prasie graficznej, a wcze\u015bniej wytrawione na miedzianych blachach w technice heliograwiury, kt\u00f3r\u0105 zalicza si\u0119 do historycznych technik specjalnych. Obrazy s\u0105 symboliczne, mog\u0105 wi\u0119c by\u0107 interpretowane na wiele sposob\u00f3w. Przedstawiaj\u0105 zdegradowan\u0105 materi\u0119, o\u017cywion\u0105 i nieo\u017cywion\u0105, ulegaj\u0105ca entropii, przejmowan\u0105 powoli przez przyrod\u0119. Autor pochyla si\u0119 nad tym procesem i jego emanacjami jako \u015bwiadek i obserwator. Wizualizacja ludzkiego upadku wprowadza w nastr\u00f3j nostalgii i sk\u0142ania do refleksji, zadaje pytanie: Czy aby przetrwa\u0107 nie powinni\u015bmy \u017cy\u0107 bardziej zgodnie z natur\u0105? Czy tworz\u0105c i konstruuj\u0105c kolejne epokowe budowle, znaki czasu nie powinni\u015bmy nawi\u0105zywa\u0107 do dziedzictwa i zachowa\u0107 wi\u0119cej ratio w swojej dzia\u0142alno\u015bci? Podobnie rzecz si\u0119 ma z komunikacj\u0105 mi\u0119dzyludzk\u0105 w czasie rozwoju nowoczesnych medi\u00f3w \u2013 powoli odchodzimy od tradycyjnej komunikacji na rzecz nowoczesnych komunikator\u00f3w internetowych, co paradoksalnie sprawia, \u017ce nie stajemy si\u0119 sobie bli\u017csi, a wr\u0119cz odwrotnie \u2013 pojawia si\u0119 wi\u0119cej barier powoduj\u0105cych mocniejsz\u0105 atomizacj\u0119 jednostek i emocjonalnie jeste\u015bmy przebod\u017acowani.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/fotonajder.pl\/obserwacje-alienacje\" class=\"ek-link\"><strong>Obserwacje\/Alienacje<\/strong><\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Honorowe wyr\u00f3\u017cnienia pow\u0119drowa\u0142y do: Wetzel + Schuster, <em>Supermodels<\/em>, Iwony Suszyckiej, <em>Bez Algorytmu, <\/em>Agata Rz\u0105sowskiej-Grabickiej, <em>Obserwatorium oraz <\/em>Bartosza Korcza za <em>Obserwatorium \/ Kosmos prywatny<\/em>.<\/p>\n\n\n\n<p>Wi\u0119kszo\u015b\u0107 prac na tegorocznym festiwalu, co bardzo cieszy, mia\u0142a w sobie nie tylko narracj\u0119 odnosz\u0105c\u0105 si\u0119 do has\u0142a ca\u0142ej imprezy, ale skupi\u0142a si\u0119 na przedstawieniu odbiorcy jak wa\u017cne s\u0105 zdj\u0119cia rodzinne, pami\u0105tkowe i te, kt\u00f3re cz\u0119sto spotykamy na pchlich targach. Przez bardzo d\u0142ugi okres by\u0142y one \u201eszufladkowane\u201d jako obrazy bez wi\u0119kszej warto\u015bci artystycznej, kt\u00f3re nie mai\u0142y prawa trafia\u0107 do jakiejkolwiek galerii. Z czasem to si\u0119 zmieni\u0142o, a badacze, obserwatorzy sprawili, \u017ce tego typu fotografia sta\u0142a si\u0119 nie tylko warto\u015bciowa ze wzgl\u0119d\u00f3w historycznych, dokumentalnych, ale r\u00f3wnie\u017c jako obiekt artystyczny i materia\u0142 wyj\u015bciowy do zabieg\u00f3w artystycznych dla wsp\u00f3\u0142czesnych tw\u00f3rc\u00f3w.<\/p>\n\n\n\n<p>Jedn\u0105 z takich artystek na Vintage Photo Festiwal by\u0142a Marcela Paniak i jej projekt <em>Fotografie rodziny Paniak.<\/em> O projekcie mo\u017cemy przeczyta\u0107: \u200dRodzina, kt\u00f3rej g\u0142\u00f3wn\u0105 bohaterk\u0105 jest Marcela Paniak, nie jest zwyczajna. Cho\u0107 portrety prezentuj\u0105 zwyczajne wizerunki spokrewnionych sobie os\u00f3b, to jednak wszystkie stanowi\u0105 wsp\u00f3\u0142czesny punkt widzenia autorki. Poprzez wykorzystanie r\u00f3\u017cnych sposob\u00f3w pracy z fotografi\u0105 sama wciela si\u0119 we wszystkie postacie, aby zwr\u00f3ci\u0107 uwag\u0119 na zmieniaj\u0105c\u0105 si\u0119 na przestrzeni wiek\u00f3w rol\u0119 fotografii rodzinnej \u2013 zw\u0142aszcza w kontek\u015bcie prawdy i fa\u0142szu podczas prezentowania swojej osoby. Oba te aspekty obecne s\u0105 przez ca\u0142y czas istnienia fotografii. R\u00f3wnie\u017c teraz, \u017cyj\u0105c w internetowym spo\u0142ecze\u0144stwie komunikuj\u0105cym si\u0119 g\u0142\u00f3wnie obrazami, istotne jest to, co w\u0142a\u015bciwie tworzy nasz\u0105 to\u017csamo\u015b\u0107 indywidualn\u0105 i zbiorow\u0105.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.6015625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230916_131035501-1024x682.jpg\" alt=\"\" class=\"wp-image-25482\"   \/><figcaption class=\"wp-element-caption\">Marcela Paniak, <em>Fotografie rodziny Paniak<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.6015625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230916_131212976-1024x682.jpg\" alt=\"\" class=\"wp-image-25483\"   \/><figcaption class=\"wp-element-caption\">Marcela Paniak, <em>Fotografie rodziny Paniak<\/em><\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.6015625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230916_132101520-1024x682.jpg\" alt=\"\" class=\"wp-image-25484\"   \/><figcaption class=\"wp-element-caption\">Marcela Paniak, <em>Fotografie rodziny Paniak<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.6015625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230916_132116835-1024x682.jpg\" alt=\"\" class=\"wp-image-25485\"   \/><figcaption class=\"wp-element-caption\">Marcela Paniak, <em>Fotografie rodziny Paniak<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>Nawi\u0105zuj\u0105c do tematu rodziny, zdj\u0119\u0107 rodzinnych mo\u017cna by\u0142o takowe naby\u0107 na festiwalowym Foto-bazarze, a tak\u017ce obejrze\u0107 do\u015b\u0107 poka\u017an\u0105 wystaw\u0119 <em>Le commun des mortels, From popular photography\u2026 to the ready-made<\/em>. Kolejna wystawa w tematyce rodziny, wspomnie\u0144 to prace trzech pan\u00f3w: ZbyZiel, \u017buk, Noniewicz, <em>Analogie \u2013 Notatki z Pami\u0119ci Medialnej<\/em>. Wernisa\u017c odby\u0142 si\u0119 w bardzo kameralnej galerii 2B+L, kt\u00f3ra mie\u015bci si\u0119 na \u201ebarce\u201d Houseboat LaMare Club.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.6015625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_120454519-1024x682.jpg\" alt=\"\" class=\"wp-image-25487\"   \/><figcaption class=\"wp-element-caption\">ZbyZiel, \u017buk, Noniewicz, <em>Analogie \u2013 Notatki z Pami\u0119ci Medialnej<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.6015625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_115723149-1024x682.jpg\" alt=\"\" class=\"wp-image-25488\"   \/><figcaption class=\"wp-element-caption\">ZbyZiel, \u017buk, Noniewicz, <em>Analogie \u2013 Notatki z Pami\u0119ci Medialnej<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.6015625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_115709811-1024x682.jpg\" alt=\"\" class=\"wp-image-25489\"   \/><figcaption class=\"wp-element-caption\">ZbyZiel, \u017buk, Noniewicz, <em>Analogie \u2013 Notatki z Pami\u0119ci Medialnej<\/em><\/figcaption><\/figure>\n\n\n\n<p>Jedn\u0105 z bardziej wyr\u00f3\u017cniaj\u0105cych si\u0119 prac na festiwalu, zdecydowanie by\u0142 projekt <em>The Rocketgirl Chronicles<\/em> Andrewa Rovenko. Barwne i w mocnych nasyceniach fotografie wyr\u00f3\u017cnia\u0142y si\u0119 na tle ca\u0142ego festiwalu. Projekt cechowa\u0142 si\u0119 te\u017c swoj\u0105 narracj\u0105 filmow\u0105, a tak\u017ce wra\u017cliwo\u015bci\u0105. Kadry s\u0105 bardzo estetyczne, przemy\u015blane i maj\u0105 co\u015b, co nie cz\u0119sto si\u0119 udaje w opowie\u015bciach fotograficznych, a mianowicie maj\u0105 \u201eg\u0142\u0119bok\u0105 tre\u015b\u0107\u201d nawet je\u017celi chodzi o pojedyncze zdj\u0119cie. Tego typu cykle nosz\u0105 w sobie du\u017co poetyki i przestrzeni do wielu metafor, symboli co sprawia, \u017ce nie da si\u0119 ich ogl\u0105da\u0107 szybko, w \u201ewernisa\u017cowym biegu\u201d. &nbsp;O fotografiach Andrewa mo\u017cemy przeczyta\u0107: <em>W marcu 2020 roku, gdy \u015bwiat zosta\u0142 zamkni\u0119ty, pochodz\u0105cy z Odessy i mieszkaj\u0105cy w Australii fotograf Andrew Rovenko i jego c\u00f3rka Mia wyruszyli na jedyn\u0105 w swoim rodzaju przygod\u0119. Razem odkrywali ciche ulice miast i puste parki, je\u017adzili pustymi autobusami i odnajdywali magi\u0119 w prozaicznym otoczeniu. The Rocketgirl Chronicles to zbi\u00f3r wspomnie\u0144 z odkrywanych \u015bwiat\u00f3w i historii ma\u0142ej astronautki. Projekt, kt\u00f3ry narodzi\u0142 si\u0119 podczas sz\u00f3stego lockdownu w Melbourne, spotka\u0142 si\u0119 z uznaniem krytyk\u00f3w i uznaniem na ca\u0142ym \u015bwiecie, publikowany m.in w Vogue i Rolling Stone, a autor zosta\u0142 uznany za Australijskiego Fotografa Roku 2021 przez magazyn Australian Photography<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.6015625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_100137469-2-1024x682.jpg\" alt=\"\" class=\"wp-image-25491\"   \/><\/figure>\n\n\n\n<p>Bardzo ciekawa wystawa pod tytu\u0142em <em>Alchemia i no\u017cyczki<\/em> odby\u0142a si\u0119 w Muzeum Fotografii. By\u0142a to fotograficzna podr\u00f3\u017c w czasie ku klasycznemu fotomonta\u017cowi, jakim zajmowa\u0142 si\u0119 Jerzy Wardak. O pracach Wardaka mogli\u015bmy przeczyta\u0107: <em>Sposoby i \u015bwiadomo\u015b\u0107 obrazowania fotograficznego zmienia si\u0119 z pr\u0119dko\u015bci\u0105 mgnienia powieki. To jest nasza rzeczywisto\u015b\u0107, to jest obraz wsp\u00f3\u0142czesno\u015bci, wsp\u00f3\u0142czesno\u015bci, kt\u00f3ra jednak czerpie gar\u015bciami inspiracj\u0119 z tego, co minione. <\/em>Wystawa Alchemia i no\u017cyczki<em>, to podr\u00f3\u017c w czasie, do tego co mo\u017ce i powinno sta\u0107 si\u0119 \u017ar\u00f3d\u0142em refleksji nad nasz\u0105 kondycj\u0105, ale te\u017c \u017ar\u00f3d\u0142em inspiracji dla tych kt\u00f3rzy poruszaj\u0105 si\u0119 w \u015bwiecie fotografii. Jerzy Wardak, kt\u00f3rego tw\u00f3rczo\u015b\u0107 i warsztat przywo\u0142amy w czasie wystawy, by\u0142 mistrzem klasycznego fotomonta\u017cu. Korzenie tej \u017cmudnej sztuki si\u0119gaj\u0105 mi\u0119dzywojennej awangardy, on sam za\u015b by\u0142 przedstawicielem nowych awangardowych trend\u00f3w polskiej fotografii po drugiej wojnie \u015bwiatowej. Zmar\u0142y w 2022 roku artysta, to jeden z ostatnich cz\u0142onk\u00f3w legendarnej grupy \u201eZERO-061\u201d, kt\u00f3ra wywar\u0142a olbrzymi wp\u0142yw na strategie fotografii w drugiej po\u0142owie XX wieku. Po \u015bmierci artysty Muzeum Fotografii, pozyska\u0142o kilka ikonicznych prac z okresu \u015bwietno\u015bci grupy \u201eZERO-61\u201d, a tak\u017ce wiele cennych artefakt\u00f3w i pami\u0105tek, kt\u00f3re b\u0119dzie mo\u017cna zobaczy\u0107 na wystawie. Ekspozycja, kt\u00f3ra w za\u0142o\u017ceniu ma upami\u0119tni\u0107 tw\u00f3rczo\u015b\u0107 Jerzego Wardaka, pozwoli te\u017c lepiej zrozumie\u0107 warsztat artysty. Pr\u00f3cz \u015bwietnych prac Wardaka uczestnicy wernisa\u017cu mogli pos\u0142ucha\u0107 historii na temat dzia\u0142a\u0144 artystycznych autora, r\u00f3wnie\u017c tych ma\u0142o znanych z medium cyfrowym, kt\u00f3re nigdy nie by\u0142y jeszcze prezentowane.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 66.6015625%;\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_162246483-1024x682.jpg\" alt=\"\" class=\"wp-image-25492\"   \/><figcaption class=\"wp-element-caption\">Jerzy Wardak, <em>Alchemia i no\u017cyczki<\/em><\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 150.14662756598%;\" loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_155725961-682x1024.jpg\" alt=\"\" class=\"wp-image-25493\"   \/><figcaption class=\"wp-element-caption\">Jerzy Wardak, <em>Alchemia i no\u017cyczki<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 150.14662756598%;\" loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230917_155251885-682x1024.jpg\" alt=\"\" class=\"wp-image-25494\"   \/><figcaption class=\"wp-element-caption\">Jerzy Wardak, <em>Alchemia i no\u017cyczki<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>Na festiwalu odby\u0142y si\u0119 tak\u017ce projekcje takich film\u00f3w jak: Luzia Schmid &#8211; <em>Reporterki. Trzy kobiety i wojna<\/em> oraz Laura Poitras <em>&#8211; Ca\u0142e to pi\u0119kno i krew.<\/em> Na festiwalu nie zabrak\u0142o legend polskiej fotografii. Obecno\u015bci\u0105 swoj\u0105 zaszczyci\u0142 Krzysztof Bogdan Giera\u0142towski, kt\u00f3ry pokaza\u0142 swoje fotografie z cyklu <em>Arty\u015bci Polscy<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 149.92679355783%;\" loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-trx-lazyload-src=\"https:\/\/kwartalnikfotografia.pl\/wp-content\/uploads\/2023\/09\/IMG_20230916_184807528-683x1024.jpg\" alt=\"\" class=\"wp-image-25495\"   \/><figcaption class=\"wp-element-caption\">Krzysztof Bogdan Giera\u0142towski<\/figcaption><\/figure>\n\n\n\n<p>Vintage Photo Festiwal z roku na rok ro\u015bnie i jest to zdecydowanie jeden z najwa\u017cniejszych festiwali fotografii w naszym kraju, a ze wzgl\u0119du na sw\u00f3j analogowy charakter jest niepowtarzalny, a w obecnych czasach przez to wyj\u0105tkowy i wa\u017cny. \u201eKwartalnik Fotografia\u201d i wszyscy mi\u0142o\u015bnicy fotografii tradycyjnej, trzymamy kciuki, by kolejne edycje by\u0142y jeszcze lepsze i by fotografie vintage mog\u0142y mie\u0107 swoje miejsce i \u017cy\u0107 dla wszystkich odwiedzaj\u0105cych ten festiwal.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This year's 9th edition of the Vintage Photo Festival was held under the name Observatory. The only such festival in the country has been attracting photographers and lovers of traditional, analog photography to Bydgoszcz for years. And this time the interest in the festival was huge, and unlike previous editions, exhibitions and accompanying events were held not only in the city of Foton, but also outside....<\/p>","protected":false},"author":23,"featured_media":25473,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[221,725],"tags":[707,551,237,728,493,727,726,652,553],"class_list":["post-25446","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eseje","category-festiwale","tag-bydgoszcz","tag-festiwal","tag-fotografia","tag-fotografia-analogowa","tag-polska","tag-swiat","tag-vintage-photo-festiwal","tag-wernisaz","tag-wystawy"],"_links":{"self":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/posts\/25446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/comments?post=25446"}],"version-history":[{"count":3,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/posts\/25446\/revisions"}],"predecessor-version":[{"id":25536,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/posts\/25446\/revisions\/25536"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/media\/25473"}],"wp:attachment":[{"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/media?parent=25446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/categories?post=25446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kwartalnikfotografia.pl\/en\/wp-json\/wp\/v2\/tags?post=25446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}